Notes on Symposium Surface Value:Locating Conditions, Reading

Autumn Assessment 2nd and 3rd Year

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Speaker Simon Willems:

-Dick Bengtston

  • patterns
  • curving up space
  • second hand images (template)
  • impersonal nature of their process
  • express reality (it is what its not to be)
  • healthy community

‘Hot and Cap Factory’, ‘Kymala Prison’

  • artwork as a stable object
  • swastika-changes it’s meaning

How art can acquire value?Complex entities- in rough the material of the artwork

 

Speaker Kirsten Cooke

‘The Pervet’s guide to exhibition making”-read

‘Cinematic Atopia’ (Robert Smithson)

-void within reality

The Arocity Exhibition (2014)JG Ballard

pornography – isolation of the image/object from the context in time and space

‘This obsession with the specific activity of the quantified functions is what science shares with pornography’

-projecting their images on to the world

Lindsey Seers, Extramission 6 (Black Maria), 2009

  • Craw , High Price

– not extracted from the art market

-always a leftover value

  • In contract the is the value of time etc

Robert Smithson, The Collected Writings

  • Curator as Author

-Daniel Buren-‘exhibition of the exhibitions as a work of art’

-the value as an exhibition

  • Curator as Facilitator

-Tertiary – towards the audience

‘Society as the Spectade (1967)

  • Curator as Educator

-Exhibition as knowledge

‘Kwarts Kapital Konstruction Kollider’ (2014)

(KKKK)

 

How To value in the Contemporary?

as an institutional object for thought

Speaker John Chilver

‘Rehearsals for interruptions of immanence ‘

-Pollock

-Greenberg

 

 

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